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	<title>Comments on: Outlaw Audio Model 990</title>
	<link>http://www.htblog.net/2006-05-23/outlaw-audio-model-990/</link>
	<description>Home Theater Blog</description>
	<pubDate>Wed, 07 Jan 2009 00:48:42 +0000</pubDate>
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		<title>by: Steve</title>
		<link>http://www.htblog.net/2006-05-23/outlaw-audio-model-990/#comment-203</link>
		<pubDate>Thu, 25 May 2006 15:14:31 +0000</pubDate>
		<guid>http://www.htblog.net/2006-05-23/outlaw-audio-model-990/#comment-203</guid>
					<description>It looks like connector constraints have finally become the dominant factor in pre/pro mechanical design!  That box could be about 1/3 the height (like my Myryad) and still accommodate the front panel interface and internal electronics.  (There won't be any heavy-duty transformers or huge heatsinks in there, it's a pre/pro.)  But then there wouldn't be room for all the back panel connectors...

(The Myryad doesn't have balanced audio outputs, which take up about 1/3 of the back panel on the Outlaw.  That's kind of a shame, because my Bryston power amp supports balanced inputs.  But balanced outputs are not that common even in mid-to-high-end pre/pros, and apparently they're expensive to do right - the Lexicon MC-12 has a balanced version that costs about $2000 more than the unbalanced one.  This may be because a properly (&quot;true&quot;) balanced signal path requires twice as many electronics as an unbalanced path.)</description>
		<content:encoded><![CDATA[<p>It looks like connector constraints have finally become the dominant factor in pre/pro mechanical design!  That box could be about 1/3 the height (like my Myryad) and still accommodate the front panel interface and internal electronics.  (There won&#8217;t be any heavy-duty transformers or huge heatsinks in there, it&#8217;s a pre/pro.)  But then there wouldn&#8217;t be room for all the back panel connectors&#8230;</p>
<p>(The Myryad doesn&#8217;t have balanced audio outputs, which take up about 1/3 of the back panel on the Outlaw.  That&#8217;s kind of a shame, because my Bryston power amp supports balanced inputs.  But balanced outputs are not that common even in mid-to-high-end pre/pros, and apparently they&#8217;re expensive to do right - the Lexicon MC-12 has a balanced version that costs about $2000 more than the unbalanced one.  This may be because a properly (&#8221;true&#8221;) balanced signal path requires twice as many electronics as an unbalanced path.)
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